mardi 24 mars 2020

Music remains a vector of hope!

Music remains for me,
a language that comes from the heart, a sign of hope!



Sequentia Legenda Berlin School music

A LANGUAGE THAT COMES FROM THE HEART,
A SIGN OF HOPE

Dear Fellow listeners, Dear Fellow listeners,

Painting sound and cosmic landscapes remains one of my priorities in the face of this global health crisis. My way to move forward in this event remains essentially the sharing of my musical passion and to offer you a little escape, a little dream.

I also wanted to thank you for your support during the Schallwelle with the 12th place for my album OVER THERE.


In this period of confinement I invite you to enjoy a free version of "Valentins Traum" available here.

Music remains for me, a language that comes from the heart, a sign of hope!

Take care of yourself and those around you, long live music, long live Love,
Laurent Schieber (Sequentia Legenda)
đŸŽč😘đŸŽč
Sequentia Legenda Berlin School music

VALENTINS TRAUM EXCLUSIVE AND FREE VERSION

A free composition in homage to my son Valentin, who has autism.

I am happy to see my son every week, and I would like to share with you all the happiness I have experienced with my two sons, despite the adversity and trials of life. This is my message of Love and Hope that I am distilling musically with sincerity.

Enjoy this musical and emotional sharing. This title is free, I specify it, nevertheless if one or the other wishes to pay money then I commit myself to give the whole amount to a foundation for autism. Thank you in advance for him, for all those affected by autism.

From a technical point of view, this track from the album RENAISSANCE, has been revisited for this occasion. The duration is significantly longer than the original, with the addition of choirs from the Mellotron and with a new finale. Some frequencies of the sequencer from the legendary modular Moog have been reworked.  A subtle reverb has been added to the percussion.  The whole composition has been remixed and remastered.

I wish you a beautiful sound immersion while sharing Valentin's dream.




Sequentia Legenda Berlin School music

A SUCCESS SHARED WITH YOU

I am proud and honored to be in the Top20 Best Albums at the Schallwelle Awards 2019 with my album OVER THERE. This success is also yours dear listener friends and I thank you for your support. For my part, I will continue on this path by presenting and sharing with the same sensitivity and sincerity my own vision of the Berlin School.



Sequentia Legenda Berlin School music

SO LET'S KEEP IN TOUCH WITH EACH OTHER

I can invite you to follow one of the pages of my site "NEWS" presenting the latest news about my music and let's keep in touch.
For example the progress of my next album "BEYOND THE STARS", or the imminent collaboration with the talented HĂ©lĂšne Vogelsinger.





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dimanche 26 janvier 2020

Retrospective of the concert in TĂŒbingen

HAPPY KEYS 2019



Sequentia Legenda Berlin School music

"IT HAPPENED HERE RIGHT IN FRONT OF MY EYES, LIVE"

How did you hear about the concert?
Till Kopper: "By Laurent himself when he agreed to come here in TĂŒbingen on the synthesizer weekend Happy-Keys organized by the Synthesizer Stammtisch Stuttgart not only as a guest but also to play on the small stage together with Tommy Betzler. I was very happy about this promise, because I really like Laurent's music for a long time. It was immediately clear to me that together with Tommy he will be the highlight of the Saturday evening."

What motivated you to come?
Till Kopper: "As a co-organizer I was there the whole time anyway, so the question doesn't fit exactly to the circumstances. But the concert was for me the one hour in which I could really let myself go this weekend and just enjoy the music. I had been looking forward to meeting Laurent and Tommy in person long before and then to see them play live for the first time."

How did you feel during this performance?
Till Kopper: "TrĂšs bien! The anticipation was great, but the performance was even better than I had dared to dream. I had got goose bumps several times because of this for me so emotional music. I felt as if I had been there live at a lost, extremely well done Klaus Schulze Trancefer Tour concert in 1981. Everything was perfect. It was the concert that I would have loved to hear even then (1981). Of course it was not an attempt of a copy. It is the mood contained in Laurent's music that makes me think of 1981 works.

Tommy played on the e-drums wonderfully to the sequences and gave the necessary "pressure". The choir and string surfaces were the acoustic pads on which the solos played by Laurent on the virtual Minimoog then floated. These long solos were exactly what I love and know from the best time of the Berlin School, both in terms of sound and playing technique. And it happened here right in front of my eyes, live. For me it was a journey through time into an otherwise no longer existing special kind of music which is only partly described and sorted correctly with "Berlin School". Even today, a few months later, I still feel a joy to think back on this really very successful concert."


Till Kopper kindly asked Sequentia Legenda a few questions đŸŽ€
Till Kopper: "When recording the first tracks of a new title, do you think rationally as a composer in structures and pre-planned sequences, or do you make your music above all from the emotion of the moment?"
Sequentia Legenda: "Between two titles, I let a little time go by. Then, when I feel this impulse that's going to lead me towards my keyboards, this desire to create, then the experimentation and research phase begins. I let myself go according to my feelings, by improvising, emotions take precedence at this stage of sound creation. Then, it's the real trigger, so I know that it's the real work of composition that begins, with the progressive implementation of a harmonic and rhythmic structure. Once again, I am pleased to say that my music is the result of my emotional language that I share with sincerity and passion."

Till Kopper: "When was the last time you got goose bumps listening to music? And what kind of piece was it?"
Sequentia Legenda: "I'm a sensitive person, and the album "Spirit of Eden" by the band Talk Talk remains for me a special listening moment. I think back to my army year when I was listening to this music on the train. Today I find that this fantastic opus hasn't taken a single wrinkle! I still get as much pleasure and emotion from listening to this unique sound atmosphere with the passage of the choirs which still gives me goose bumps.
And finally, very recently, it's a title suggested directly by Youtube while I'm going through a difficult period in my life, with obstacles thrown in an inconsiderate way to undermine the union that binds me to Valentin, my youngest son who suffers from autism. It was a magnificent discovery with the title "Hallelujah" majestically interpreted by Mumi with his handpans. The emotions of the moment and this music gave me shivers."

Sequentia Legenda Berlin School music

"YOU LIVE THE MUSIC YOU MAKE WITH ALL YOUR HEART"

How did you hear about the concert?
Michael Kukat: "The event Happy Keys was organized by the Synthesizer Stammtisch Stuttgart, in which I regularly participate, so I was involved from the beginning and of course very excited about the acts we had planned."

What motivated you to come?
Michael Kukat: "To meet good friends, to meet some acquaintances I know from the net for a while, to meet them for the first time in real life, to meet new people, to have a nice chat and of course to enjoy the acts, to enjoy and be inspired by them. Distraction from everyday life with like-minded people."

How did you feel during this performance?
Michael Kukat: "I was absolutely thrilled. The music was great to immerse yourself in and dream along with and the emotions you put into this performance were stirring. One could feel that you don't just make music, but that you live the music you make with all your heart, that you are fully absorbed in it. Also the interaction with Tommy was a wonderful match. I could have continued to enjoy it for hours. What a power in our little private event! Keep it up, I'm already looking forward to the next time!"

Michael Kukat kindly asked Sequentia Legenda a few questions đŸŽ€
Michael Kukat: "You mostly use software synthesizers on stage. Do you also have some hardware synths, maybe in a home studio? If so, which ones?"
Sequentia Legenda: "When I was 17, I had set up my first home studio in my parents' basement. Little by little, I surrounded myself with analog synthesizers such as the modular polyphonic PS 3200 from Korg, the MS20 with the SQ10 sequencer, the Oberheim duophonic, the ARP Odyssey to name the most important ones. With the advent of the MIDI standard, I separated analog instruments from digital machines. Currently, I work with carefully selected virtual instruments to meet my requirements. Indeed, I wish to get closer to the typical sound grain of the analog era. I imagine that the knowledge acquired during my youth about subtractive synthesis helps me to achieve this goal. It is not excluded that some hardware machines will be added to my current home studio. The little Moog Wekstatt already has its place ;)"

Michael Kukat: "Vinyl has a big comeback since several years, do you plan a Vinyl release in the near future?"
Sequentia Legenda: "This is indeed a recurring request. I will therefore have to look into this matter. I admit that I am tempted by the idea of a vinyl, but the production costs are still high. The idea of a participatory project remains an option. A project to follow."

Michael Kukat: "How do you prepare for your performances? Any special rituals or do you just let your flow take over?"
Sequentia Legenda: "I am a person who needs a minimum of security and a few days before a concert, I rehearse the songs that will be presented. I prepare my sessions, with a base and tracks defined in the perspective of Live. Playing on stage is different than in a home studio, each stage experience is unique. It's not possible to plan for everything, there's bound to be a bit of improvisation. The imponderables are part of this challenge, that's precisely what makes a concert so charming."

Sequentia Legenda Berlin School music

"I LIKED YOUR CONCERT IN TÜBINGEN"

How did you hear about the concert?
Hajo Liese: "Till Kopper and I (Hajo) have been making music together for a long time under the project name EL-KA (a pun (EL for Liese and KA for Kopper. Till had invited me to the concert."

What motivated you to come?
Hajo Liese: "Till and I live 650 KM away from each other. Concerts together are usually the result of spontaneous dates. So it was a great opportunity to make music with people of the same interest. We took the opportunity to rehearse three days before and to record a new projection."

How did you feel during this performance?
Hajo Liese: "Very good, a nice and also interested audience was present. Furthermore many old friends from Germany and Switzerland as well as from France came."

Hajo Liese kindly asked Sequentia Legenda a few questions đŸŽ€
Hajo Liese: "I liked your concert in TĂŒbingen very much and it was also very well received by the selected audience. Did you also feel comfortable with the quite manageable "Special Interest" audience or do you rather love a larger audience?"
Sequentia Legenda: "I was delighted to be able to play in front of an audience of connoisseurs, and the welcome I received allowed me to surpass myself. Every stage performance is a new experience in itself and it's good to live it. I don't really have a preference for answering your question, for me it is important to be able to feel at ease, to be able to soak up the atmosphere of the moment and to be able to answer it by giving the best of myself and thus to be able to share my passion with fervour and authenticity. The direct contact with the public is something unique and it is a chance to be able to live these privileged moments."

Hajo Liese: "In my opinion your music is very much based on Klaus Schulze, is that your intention?"
Sequentia Legenda: "I can't refute the influence of Klaus Schulze, his album Mirage was my real musical trigger. However, I have my own vision of the Berlin School which I share with passion and authenticity. Through my sound worlds, it is my heart, my soul that expresses itself. I have a deep respect for the founding members, the late Edgar Froese and my mentor Klaus Schulze, who gave the Berlin School its credentials. And, if I, in turn, can make my contribution to this beautiful musical movement, then my dream will be fulfilled."

Hajo Liese: "I would be very happy to hear you again at an upcoming event, is there something planned here?"
Sequentia Legenda: "Who knows, we'll see what the future holds for me. It would be a great pleasure. At the moment, a concert in the Netherlands is planned. My personal situation has unfortunately changed drastically and I will save some time and energy for my two sons."

  

Sequentia Legenda LIVE (TĂŒbingen 2019 +HD Trailer)

  

The first track is "THE APPROACH" presented during this concert is from the double album "EXTENDED"
from EXTENDED, released September 20, 2016
Keyboards: Laurent Schieber (Sequentia Legenda)
Drums: Tommy Betzler
«The integration of Tommy’s rhythm part brings a new dimension to this title. His drums support Laurent’s sequences in a ramp-up leading to a climax of sound. This then leaves space for a floating conclusion where only a few gongs disturb the atmospheric serenity of the final reverie.» 



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dimanche 5 janvier 2020

Trois questions sur " Solitudes Lunaires "

Pouvez-vous nous expliquer ce voyage en apesanteur ?

Solitudes Lunaires Berlin School music

UNE SOURCE D'INSPIRATION ET D'ÉVASION


Thierry Moreau : " Avec ton titre " Solitudes Lunaires ", tu rends hommage Ă  Jules Verne, peux, tu nous expliquer ce voyage en apesanteur dont la substance nous Ă©voque Ă  bien des Ă©gards l'hommage Ă  Franck Herbert " Dune " de Klaus Schulze. Tu nous invites Ă  l'introspection lunaire ? "

Sequentia Legenda : "J'ai beaucoup d’admirations pour Jules Verne et il me tenait Ă  cƓur de lui rendre hommage. Il est Ă  mes yeux un conteur de rĂȘve, un astronome, un professeur de gĂ©ographie, un aventurier. En lisant ses voyages extraordinaires, c’est tout un univers onirique qui s’ouvre Ă  moi et qui nourrit avec dĂ©lectation mon imagination. C’est une source d’inspiration et d'Ă©vasion. Solitudes Lunaires est un clin d’Ɠil Ă  "Autour de la Lune ". Lorsque j'avais dix ans, je voulais tout comme lui devenir Ă©crivain ! Mes favoris : " De la Terre Ă  la Lune ", " Voyage au centre de la Terre " et " Vingt mille lieues sous les mers ".

Voici un extrait de " Autour de la Lune " : " [...]Le projectile a dĂ» atteindre la Lune au moment oĂč elle Ă©tait pleine, le 5 Ă  minuit. Nous voici au 11 dĂ©cembre, ce qui fait six jours. Or, en six fois vingt-quatre heures, sans obscuritĂ©, on a le temps de s’installer confortablement. Il me semble que je les vois, nos braves compatriotes, campĂ©s au fond d’une vallĂ©e, sur le bord d’un ruisseau sĂ©lĂ©nite, prĂšs du projectile Ă  demi enfoncĂ© par sa chute au milieu des dĂ©bris volcaniques, le capitaine Nicholl commençant ses opĂ©rations de nivellement, le prĂ©sident Barbicane mettant au net ses notes de voyage, Michel Ardan embaumant les solitudes lunaires du parfum de ses londrĂšs[...] ".

La littĂ©rature et la musique ont des analogies, notamment celle de faire voyager, de faire rĂȘver. Jules Verne a su avec brio faire voyager ses lecteurs, avec cette composition, il Ă©tait important pour moi de transporter les auditeurs vers une introspection lunaire.

Les chƓurs sĂ©raphiques, les sonoritĂ©s scintillantes, les nappes lointaines contribuent Ă  l’ambiance lunaire. La texture rythmique est crĂ©Ă©e par les oscillateurs du Minimoog poussĂ©s en auto-oscillation. L’ensemble est amplifiĂ© avec des temps rĂ©verbĂ©ration assez long et des Ă©chos stĂ©rĂ©ophoniques. Les boucles de notes sont comme une suite de mots, racontant une histoire, dĂ©crivant le paysage sonore : les mers, les vallĂ©es, les cratĂšres, les mystĂšres et la douce clartĂ© solaire. L’imagination joue un grand rĂŽle dans l’interprĂ©tation.
Alors, pourquoi ne pas se laisser aller Ă  imaginer le chant des SĂ©lĂ©nites accompagnant cette musique lunaire ? Libre Ă  chacun d’interprĂ©ter ce poĂšme musical, de vivre Ă  sa façon l'exploration mĂ©ditative de ce monde sĂ©lĂ©nique.

Pour la petite anecdote, mon fils aĂźnĂ©, Ă  l’Ă©coute de cette piĂšce avait Ă©crit ceci : " Papa, lorsque j'Ă©coute cet extrait, j'ai l'impression d'ĂȘtre tout seul sur la Lune ! ".

Et enfin, je tiens Ă  dire, que je suis honorĂ© de savoir que mon titre dans sa substance puisse ainsi ĂȘtre comparĂ© Ă  l'album " Dune " de Klaus Schulze. "
Solitudes Lunaires Berlin School music

UN MOTIF SONORE EN PERPÉTUEL MOUVEMENT


Thierry Moreau : " Ton travail alterne une ligne mélodique et une séquence qui nous guide vers un voyage, comptes-tu faire un album complet en hommage à l'univers de Jules Verne ou à un roman en particulier ? "

Sequentia Legenda : " Cette alternance peut ĂȘtre comparĂ©e aux marĂ©es provoquĂ©es par la Lune, c’est une trame sonore en perpĂ©tuel mouvement, qui va et qui vient tout en s’amplifiant, en se mĂ©tamorphosant subtilement. Elle berce l’auditeur dans l’espace sonore. Les sĂ©quences, elles aussi, sont Ă©volutives, formant des combinaisons, des constellation, s’entremĂȘlant et se confondant dans l’atmosphĂšre globale.

CrĂ©er un album en hommage Ă  Jules Verne est en effet une idĂ©e intĂ©ressante. À voir... "
Sequentia Legenda Berlin School music

UNE INVITATION AU RÊVE, AU VOYAGE, À LA MÉDITATION


Thierry Moreau : " Ton imprégnation de la Berlin School est évidente et tu es identifiable immédiatement, ne crois tu pas que la charge émotionnelle qui se dégage est due en partie au fait que tu aimes inviter les gens aux voyages ? En l'occurrence chez Jules Verne ici ? "

Sequentia Legenda : " En dehors du fait que ma musique soit une invitation propice au rĂȘve, au voyage, Ă  la mĂ©ditation, je pense que les auditeurs perçoivent au travers de mes compositions ma sensibilitĂ©, mon authenticitĂ©, ma vision d’une Berlin School Ă©purĂ©e.

Je partage mon langage musical avec passion et bonheur. Pour profiter pleinement des univers sonores, il faut se donner du temps, se mettre dans de bonnes conditions d’Ă©coute. Par la suite, c'est une association d'Ă©motions qui s'opĂšre et l'immersion pourra alors ĂȘtre vĂ©cue pleinement. "

  Solitudes Lunaires Sequentia Legenda 

Le titre SOLITUDES LUNAIRES a Ă©tĂ© revisitĂ© et remastĂ©risĂ© spĂ©cialement pour cette occasion. Les chƓurs du Mellotron ont Ă©tĂ© ajoutĂ©s. Le Minimoog est prĂ©sent pour la partie finale.

Une cymbale est venue soutenir les impulsions rythmiques des oscillateurs en auto-oscillation.

La durée est légÚrement plus longue que la version originale du double album " EXTENDED ".


Selenic world 0:00 Ă  10:08
Electric blue glow of Aristarchus 10:08 Ă  11:44
Mare Tranquillitatis 11:44 Ă  18:08
The mysterious side of the Moon 18:08 Ă  22:56
Mare Serenitatis 22:56 Ă  26:38






Thierry Moreau

Thierry Moreau
est un graphiste, douĂ© d'une grande sensibilitĂ©, un amoureux des arts et de la culture. Un homme ouvert et gĂ©nĂ©reux – un artiste.

Il est issu des Beaux Arts. Il a exercé dans des studios de création et agences de communications. Il a travaillé pour des Labels de disque et pour la presse musicale spécialisée. Il a enseigné dans les Arts Appliqués et Arts Plastique

Thierry Moreau website


Schallwelle : Les votes sont ouverts !

Sequentia Legenda Berlin School music 

Schallwelle Award

Vous pouvez voter pour les catégories " Artiste " et " Album ". Le vote se termine le 15/01/2020. Merci pour votre attention.







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