LOVE FEEDS LOVE II a heart-to-heart vibration

✨ More than music, LOVE FEEDS LOVE II 
is an act of gratitude and connection ✨

Dear friends-listeners,

The musical encounter with Charlotte Abigaël Dubois was a rare synchronicity. From the first notes, her theremin rose with celestial ease, carrying a gentle nostalgia that touched my soul. Together, we created a space of resonance where two sensibilities meet to produce a vibration greater than the sum of its parts.

These past weeks have been intense—between my efforts to get Valentin back by my side and supporting Dylan in finally having his voice heard. Music has remained both a refuge and a force for transformation. LOVE FEEDS LOVE II now becomes a circle of support, an energy dedicated to my sons’ well-being. All proceeds from this track will go entirely to their protection and care.

“Love feeds love” is not a concept, it is a heart-to-heart movement—what has carried me for years, creating and sharing vibrations that open spaces and reconnect each person to their inner light.

Through this music, I send a wish to all children of light and those moving forward despite shadows: may gentleness accompany you, may truth protect you, and may the beauty of Terra guide you toward peaceful days.

Thank you for your listening, your presence, and the light you bring by being here. 

Laurent Schieber – Sequentia Legenda

LOVE FEEDS LOVE II is available here

 

DIVING INTO LAURENT’S WORLD
is like stepping into a painting, a floating, intangible space

What touched or inspired you when discovering the other’s musical universe?

Charlotte: Diving into Laurent’s world is like stepping into a painting, a floating, intangible space where anything is possible. The imagination is free, and images come and go, intertwining. I love this vaporous quality that unfolds over time—without boundaries, without limits—it’s very inspiring!

How would you describe the energy or intention you wanted to convey through LOVE FEEDS LOVE II?

Charlotte: At first, it was difficult for me to connect with this universe. I usually build my layers in loops, and I couldn’t latch onto the piece… I tried many times, without success. Then one summer day, the sun blazing outside, everything calm and quiet, I decided to let go and immerse myself. It became instinctive, almost animalistic—I heard nature, rustlings, calls, and I began to play, to let myself flow. Everything became very organic, as if instead of telling a story with words (as I usually do when composing), I had a brush to paint with sound.

What did this collaboration bring you personally or artistically?

Charlotte: This collaboration pushed me out of my comfort zone, helped me grow, and offered a new creative perspective. I journeyed with my theremin through unknown lands and opened a window I hadn’t yet opened—the one of letting go… It was a beautiful musical encounter that will remain with me forever.

I DISCOVERED CHARLOTTE’S SONIC WORLD
it was immediately a delightful surprise 

What touched or inspired you when discovering the other’s musical universe?

Laurent: I discovered Charlotte’s sonic world through social media, and it was immediately a delightful surprise. I sensed a way of approaching music with softness, sincerity, and profound sensitivity.

Within her textures, I felt tenderness, serenity, and a kind of inner light that resonates particularly in a world in turmoil. This resonance touched me deeply. The idea of collaborating then arose naturally, almost as if it were meant to be.

How would you describe the energy or intention you wanted to convey through LOVE FEEDS LOVE II?

Laurent: With LOVE FEEDS LOVE II, I wanted to convey an energy of openness, connection, and shared love. The piece carries a movement of peace and elevation, an invitation to return to what truly connects us.

Charlotte’s theremin amplified this intention: its airy, almost vocal timbre wraps the composition in extra gentleness, like a tender gesture placed upon the music.

This work has become a space where light, compassion, and benevolence circulate freely. Unexpectedly, it also accompanies me through a new personal challenge—a separation that threatens my paternal bond. I miss Valentin deeply, yet I stand strong for both my sons. I believe in love, against all odds.

What has this collaboration brought you personally or artistically?

Laurent: This collaboration gave me a fresh breath, an artistic and human opening, and reminded me how music can be a space of communion.

Working with Charlotte brought freshness, a new emotional color, and enriched my own vision. It allowed me to advance further in my inner mission, which grows ever more important: to share light, tenderness, and beauty through music, especially at a time when values seem challenged.

The fluidity with which everything unfolded touched me deeply. On a more intimate level, this collaboration revived the sense that some encounters are no coincidence but part of the synchronicities that mark our path and guide us.

 

I SEE COLLABORATIONS 
AS A MUSICAL AND HUMAN EXPANSION
an opening toward new horizons

I see collaborations as a musical and human expansion, an opening toward new horizons. My very first collaboration was with my friend Jean-Luc Briançon (Kurz Mindfield), which was both a demanding and deeply enriching challenge.

Afterwards, I had the pleasure of working with Tommy Betzler, a multi-talented drummer, sharing wonderful experiences on stage. Those moments pushed me beyond my limits while building bridges between our artistic worlds, leaving lasting impressions in both our hearts.

I cannot forget Nicolas Picciotto, whose generosity supported me during the double album The 432 Hz Berlin School Box, offering both precision and guidance in realizing this ambitious project.

Finally, there is Hélène Vogelsinger, with whom a collaboration was initially planned for the track CIRCUMNAVIGATION. I still hope that one day we will bring this artistic encounter to life, letting our vibrations intertwine.

Each collaboration has allowed me to broaden my vision, refine my sonic universe, and fully experience musical sharing, while deepening the human connection so precious on my journey.

---

During our last conversation, Michael Scanlon made a very specific request: “Laurent, could you one day put together a clear chronology of your discography? I believe it would be valuable for us listeners, to follow the evolution of your universe.”

I found this suggestion both thoughtful and relevant, and I am grateful for it. May these milestones serve as a guide for those who wish to journey through my sounds — step by step, album after album.

Chronology of Sequentia Legenda’s Discography:

2025 — LOVE FEEDS LOVE II – Collaborative version with Charlotte Abigaël Dubois (Digital Version)
2025 — TIMELESS (CDr Digipack & 8 page Booklet, Digital version at Cyclical Dreams)
2025 —  Departure for a Celestial Voyage – Extended version (Digital Version, name your price)
2025 — CHILDREN OF THE SOLAR LIGHT – Revisited version (Digital Version, name your price)
2025 — A RAY OF LIGHT (CDr Digipack & 8 page Booklet, Digital Version)

2024 — DECEM (CDr Digipack & 8 page Booklet, Digital Version)
2024 — Echo of Vibrations (Digital Version, name your price)
2024 — GALACTIC CRYSTALS (CDr Digipack & 8 page Booklet, Digital Version)

2023 — Extended Intuition Into the Unknown (Digital Version)
2023 — Departure for a Celestial Voyage (Digital Version, name your price)
2023 — ALCYONE (CD Digipack & 8 page Booklet, Digital Version)

2022 — The 432 Hz Berlin School Box (Double CDr Digipack & 8 page Booklet, Digital Version)
2022 — ANNO 1880 - Variations on the finale of ELEVATION (Digital Version)
2022 — RESONANCES (CD Digipack, Digital Version)
2022 — ELEVATION [Portal Version 2022] (Digital Version)

2021 — Luminosa Veritas [Xmas 2021 Version] (Digital Version, name your price)
2021 — HEAVENLY RESONANCE (Happy Birthday Version) (Digital Version, name your price)
2021 — CELESTIAL (CDr Digipack, Digital Version)
2021 — THE RETURN (Long Version) (Digital Version)
2021 — Around the Second Moon – Floating Days Edition (Digital Version)
2021 — Deep Sequences [Grenzwellen Version] (Digital Version)
2021 — Five Minutes Around the Second Moon (Digital Version, name your price)

2020 — VOICES 55 [EXCLUSIVE Version] (Digital Version)
2020 — BEYOND THE STARS (CD Digipack, Digital Version)
2020 — CIRCUMNAVIGATION [Study Version] (Digital Version)
2020 — Valentins Traum Exclusive Version (Digital Version)

2019 — FIVE (CDr Digipack & 8 page Booklet, Digital Version)
2019 — CODEX ON THE FLIGHT OF BIRDS (Digital Version)
2019 — THE LUNAR TRILOGY (Digital Version)
2019 — OVER THERE (CD Digipack & 8 page XL Booklet, Digital Version)

2018 — SOLITUDES LUNAIRES [XMas 2018 Version] (Digital Version)
2018 — RENAISSANCE (CD Digipack, Digital Version)
2018 — MIND LAKE [experimental version] (Digital Version)

2017 — THE RETURN experimental version (Digital Version)
2017 — Out of the Silence - Collaboration version (Digital Version)
2017 — ETHEREAL (CDr Digipack, Digital Version)
2017 — Out of the Silence - Exclusive version (Digital Version)

2016 — EXTENDED (Double CDr Digipack & 8 page Booklet, Digital Version)

2015 — AMIRA (CDr Digifile, Digital Version)
2015 — AU REVOIR (Digital Version)
2015 — VIBRATIONS - Blood Moon exclusive version (Digital Version)

2014 — BLUE DREAM (CDr Digipack 3 flaps, Digital Version) 

 

 

            

Crystalline conversation with Michel Newsouljazz and Sequentia Legenda

I enjoyed answering Michel's questions as an enlightened listener. Our discussions were enriched by a few personal questions that I had the pleasure of asking him

MY MUSICAL VISION FOLLOWS A PATH
THAT RISES SPIRITUALLY
musical and vibratory sharing that stems
from my emotion and intuitions

Michel: Hello Laurent, let's start by talking about the recent release of your new album GALACTIC CRYSTALS. Can't we say that, like the name SEQUENTIA LEGENDA, this album is also inspired by a certain mysticism?

Laurent: Hello Michel, we can indeed talk about that.
My musical vision follows a path that rises spiritually, ever higher. Creating this album required a lot of emotional resources and courage. In a way, GALACTIC CRYSTALS represents the continuity of ALCYONE. Above all, it's a musical and vibratory sharing that stems from my emotions and intuitions. Despite the constraints, this opus was released just as I wanted, on 2 July, my late Mum's birthday. I'm deeply grateful 🙏

Mysticism and spirituality are, in my opinion, treasures of beautiful and luminous truths. It's a connection to something greater, a dimension of transcendence. In this spiritual quest, we discover profound answers and meanings that nourish our soul.

In a way, this is what I want to share with my listeners: a musical journey, an inner exploration that allows us to grow and evolve.

Mysticism and spirituality are, in my view, treasures of beautiful and luminous truths.

Michel: When you listen to the first track, THE SONGS OF ORION, you'd be forgiven for thinking that your music is cosmic and universal! But does this title refer to the giant hunter of Greek mythology, or rather to the constellation Orion?

Laurent: The title THE SONGS OF ORION is particularly evocative and linked to the constellation Orion. In this composition, the spiritual and emotional aspect plays an essential role. During the creation of this work, I had a number of significant experiences that left a deep impression on me. I have established a link between these experiences and everything that surrounds Orion: its history, its influence on our beautiful planet Terra. I'd like to express my gratitude to my Guidance, which has supported me throughout this creative process.

From a technical point of view, a surprising phenomenon occurred during the recording: Voices emerged not from the Mellotron, as you might expect, but from the Minimoog! From minute 2:33 onwards, murmurs, chants and choruses subtly evolve to take up their full place in the composition. These voices, born of the Minimoog, create an incredible alchemy. I used Arturia's Vocal Filter module (VST) to adjust these voices from Orion, subtly adjusting the resonances.

In short, THE SONGS OF ORION is my tribute to all those who have shown themselves to be valiant and magnificent, bearers of Light and Love. It's also a way of transcending time and space, of connecting with something greater than ourselves. These choirs, these voices, these songs and Orion murmurs from the Minimoog carry within them echoes of wars and periods of peace, and so become messengers of this deep connection, inviting us to reflect on our place in the universe and our quest for Light and Freedom.

Watch the GALACTIC CRYSTALS trailer

 

TOMMY HAS A WEALTH OF EXPERIENCE
on stage we communicate in symbiosis

Michel: The second track, CRYSTAL OF LIGHT, features Tommy Betzler, who played with Klaus Schulze. Did this collaboration, which has been going on for several years now, influence the way you composed this track? (In particular, here, which might remind you of Cristal Lake from the album "Mirage", of which I know you are an admirer).

Laurent: After the release of my second album, I contacted Tommy via Messenger to ask him if he'd be interested in playing drums on my music. He responded enthusiastically and we soon collaborated on two tracks on the double album EXTENDED in 2016. Our collaboration continued in 2017 for the album ETHEREAL, where Tommy played on the central track. Since then, we've shared the stage in Nantes during Synthfest, in Tübingen and Soligen in Germany, and in Chexbres in Switzerland. More recently, we played together in Eindhoven in the Netherlands. Tommy also contributed the central track to my latest album, GALACTIC CRYSTALS.

Tommy has a wealth of experience, having played with Klaus Schulze on tour in the 80s. Our collaboration is fluid and instinctive, and on stage we communicate in symbiosis, without needing to talk to each other too much.

And to answer your question more precisely, as far as my composition method is concerned, I don't plan anything too precise in advance. I leave room for intuition and let myself be guided. Then I arrange certain parts to give Tommy enough space to express himself. I still sometimes give him ideas based on my own feelings and my own vision, but I always leave him some room for manoeuvre. Then I work on inserting the rhythmic elements and mixing. This is a technical stage where I make sure that each instrument is well balanced and that the composition sounds harmonious.

 

Michel: You compose, record, mix, play and even do the artwork for your albums. Do you think you'll ever be able to share all that, or do you prefer to keep control of everything?

Laurent: I'd like to point out that I also do the mastering 😉 More seriously, I have to admit that I'm pretty demanding, I have a global vision of everything that revolves around my music and the release of a new album. As I work in marketing as a computer graphics designer, this experience helps me enormously when it comes to managing my music. However, I don't rule out delegating certain tasks from time to time. For example, Nicolas Picciotto remixed and mastered two tracks on my double album The 432 Hz Berlin School Box.

I like to invest myself fully in my music, even if it takes time. It's my passion!

Finally, the arts have always been part of my life: painting, drawing, writing, photography and of course music. It's important for me to find the visual, the words that will highlight the spirit of the album, of my music.

RETURN TO MESHALEA
dedicated to the constellation of Andromeda

Michel: Returning to your last album, the third and final track RETURN TO MESHALEA refers to Andromeda, a galaxy inhabited by magnificent beings who see life through a lens of love! As on your last album, you make a lot of references to the celestial, human and interplanetary aspects of music. How does this influence your composition?

Laurent: First of all, I'd like to congratulate you on your personal research into MESHALEA.

The origins of MESHALEA go back to a walk in the forest, or more precisely to a channelling experience I was offered. While I was in a clearing, I felt a powerful energy in and around me, and I perceived the name "Andromeda" and the association with the Andromedans. From that moment on, it was clear to me that the musical composition I had just begun should be dedicated to the constellation of Andromeda, or MESHALEA. Everyone is free to follow their intuitions or not, and personally, ever since I was young, I've always listened to my heart and my intuitions. It's a state of mind that I cultivate.

In the end, it's this state of mind that I believe allows me to receive, rather like a receiver, a set of emotions that reach me and which I then share from heart to heart.
I need to feel this call, this excitement that guides me forcefully towards my keyboards, like a magnet. It's a spontaneous state of grace, a very special and magical moment. In any case, this is how my heart can really express itself and release all my energy, all my sensitivity, all my deepest emotions.

Music is a sacred vibration that transcends words. It is the universal language of the soul. Music is vibration, vibration is life.

DESCRIBE SEQUENTIA LEGENDA'S MUSICAL
STYLE IN A FEW WORDS
Universal music and therapeutic music

Laurent: How did you discover Sequentia Legenda's music? Can you tell us about your first impressions?

Michel: About 9 years ago, I was searching YouTube for something new in the so-called Berlin School. And I discovered a video entitled 'Au Revoir', a tribute to Edgar Froese. The musician's name: SEQUENTIA LEGENDA. Immediately won over by what I heard, I went to the web and the FaceBook page to discover an artist bursting with talent and composing music that comes straight from the heart. Since then, I've been eagerly following the release of his albums.

Laurent: How do you feel about GALACTIC CRYSTALS? And more generally, what emotions do you feel when you listen to my music?

Michel: You mention emotions, and that's exactly the first thing that comes to mind. The music on this new album, and in general on all SEQUENTIA LEGENDA's albums, is very much about the emotional, but also the inner journey, giving a certain sense of peace, in short, leaving you with a free and benevolent spirit. And above all, this impressive mastery of the various keyboards and the legacy of the Berlin school, while renewing the genre.

Laurent: How do you see the musical evolution of Sequentia Legenda?

Michel: The collaboration with a percussionist (Tommy Betzler in particular) is a plus and I think it brings a new dimension to your music. Working with a percussionist on a regular basis is a really fruitful next step.

Laurent: If you had to describe Sequentia Legenda's musical style in a few words, what would they be?

Michel: "Universal music" is the first thing that comes to mind. I'd add "therapeutic music" because it's so good for the spirit.

Universal music: while we try to confine all kinds of music, SEQUENTIA LEGENDA's music is whole, complete, global, even celestial. It's for anyone who accepts it and opens their heart. As soon as you confide in this universe, you feel good.

Therapeutic music: like many people, I have my ups and downs, but listening to SEQUENTIA LEGENDA's albums immediately calms me down, leaving me relaxed and charmed by the often surprising melodic lines.

Laurent: What does the Berlin School mean to you?

Michel: I discovered the Berlin School with Tangerine Dream's Rubycon, which for me remains one of the peaks of the genre (along with Moondawn by Klaus Schulze). It's hard to describe what I felt the first time, but this music literally transported me, I was going to say out of my mind! It's music that conveys feelings that are hard to describe: melancholy, well-being, nostalgia - in short, a bit of everything. Once again, this is emotional music.

Presentation: Hi! My name is Michel Newsouljazz (Verreckt Maurice Michel). Born in the Namur region (in Belgium), I studied to become a paper technician and an industrial engineer. I worked in the printing industry as a quality manager and then in the food industry, always in quality. I was also managing director of a non-profit organisation building schools in South Kivu (Democratic Republic of Congo).

For over twenty years, my hobby (outside music) was photographing jazz musicians (mainly).

I was immersed in music from a very early age, and it has never left me. I was lucky enough to see some extraordinary musicians in concert: Miles Davis, Pink Floyd, Tangerine Dream, Dizzy Gillespie, Chick Corea, Klaus Schulze, Genesis, John Mc Laughlin, Weather Report, Porcupine Tree, Santana, Keith Jarrett and a few hundred others... but not yet Sequentia Legenda!

Now that I'm retired, I'm taking the opportunity to listen to my 2000+ CDs.
My musical tastes: jazz, jazz-rock, Berlin school, progressive rock, Brazilian, African and Cuban music, as well as classical.

 

 

            

Portrait of Sequentia Legenda – Beyond the heritage of the Berlin School

Portrait of Sequentia Legenda – Beyond the heritage of the Berlin School
Portrait by Christophe Bargeault
originally produced for Patch Work Music

Christophe Bargeault interview Sequentia Legenda
Music, benevolence and spirituality

This portrait is dedicated to Sequentia Legenda who offered us just before the summer their latest opus RESONANCES. Beyond the legacy of the Berlin School genre that he has received and that he is passing on in turn, Laurent Schieber was kind enough to share with us a few moments of kindness and spirituality.

Christophe Bargeault: "Laurent, after having taken us beyond the stars, then to a celestial universe, you offer us a new album where everyone will find a way to enter in resonance with the universe. Can you tell us how RESONANCES was born and do you consider it as a follow-up to BEYOND THE STARS and "CELESTIAL"?

Sequentia Legenda: "Since BLUE DREAM, I think I can say that each album that has come out is a sequel in itself, an evolution of my musical vision. I can also happily say that with this latest album my music has just ascended towards ever more spiritual vibrations. RESONANCES is for me a pivotal album for several reasons. The birth of RESONANCES happened instinctively, naturally, with the help of a – guidance – that allowed me to bring to light the channeled message and all the emotions that went through me. I thank this divine chance which was granted to me, I am proud and happy to be able to share with the listeners joy, dreams and well-being. RESONANCES is also a highlight of my convictions for a better, fairer and brighter world. This album is the affirmation of my work on the side of Light, Love and Hope. RESONANCES is the direct announcement of ALCYONE which will be my next album for 2023."

 

Christophe Bargeault interview Sequentia Legenda
Musical universe in perpetual resonance

Christophe Bargeault: "RESONANCES is offered to us using a process that uses the frequency 432 Hz. Can you explain this choice?"

Sequentia Legenda: "I wanted to work on my three compositions in the frequency of 432 Hz which is in harmony with the heart, nature and the universe. I wanted to offer listeners an even more spiritual approach to music and propose three vibratory universes that would allow for a resonance, a connection with one's own inner symphony."

Christophe Bargeault: "Spirituality is very much a part of your musical universe. In fact, you have presented RESONANCES as an album of "great spirituality at the service of the listener". We also find many references to spirituality in your discography (Beyond from beyond, Fly over me, Elevation, Luminosa veritas, Celestial, Heavenly resonance). This spirituality seems to be an important part of your life. How does it play a part in your compositional process?"

Sequentia Legenda: "Spirituality is part of my evolution, it has always been present in me, around me. It accompanies me, guides me through my intuitions, makes me move forward and grow. It is the same for my musical adventure that I have the happiness to live, which evolves, transmutes little by little to become always a little more spiritual. There is always a sign, if I may say so, an energy that will propel me towards the keyboards. It's magnetic, it's magical. When I compose, I feel things from the inside, the vibrations crystallize, I let them impregnate me, and then I put them to music. It's the heart that speaks before anything else! Thanks to this spirituality and to listening to it, the process of creation is a real guidance, a journey out of time, an inexhaustible source of energy and love. I am delighted to be able to share what I receive, with passion and sincerity. This is my way of working alongside the Light."

Christophe Bargeault: "The first notes of RESONANCES were released on your Youtube channel in the summer of 2021. What steps did you take to get to this finalized album? Do the comments left by internet users have an impact on your creative process?"

Sequentia Legenda: "It is interesting for me to hear the feelings of the listeners. Reading the comments is also a source of motivation and inspiration. I am often reminded of one such comment. One listener wrote to me that his toothache had almost disappeared after listening to my music. In the same vein, I was pleased to read that my music was a medicine. What more can I say? If not the most beautiful gift, a beautiful reward, which I fully savour. It is a delight to be able to share a source of happiness and serenity – Gratitude. After having put some extracts online, I continued the composition work, mainly concerning the third title. It was important to me to bring the three sound worlds together. Then, I proceeded to adjustments and optimizations, in order to highlight certain parts, while keeping in focus, the colour, the atmosphere and the global warmth that I wanted to offer to this album. The mastering phase was the last step. I like to add that final specific patina, that varnish conducive to sonic unison."

Christophe Bargeault: "Of all the comments that can be found about your music, most agree that you have a signature that you have a signature sound of your own. How would you describe what characterise the Sequentia Legenda sound?"

Sequentia Legenda: "I am happy and honoured to hear about a Sequentia Legenda signature, it is a great reward. I would say without hesitation that this signature is channelled directly from the depths of my being. And, above all, it is with my heart and my soul that the Sequentia Legenda sound is truly built. As for the technical part, it is a balancing act between creativity and rigour that must be established. I obviously have my reference points, my automatisms, I use the sequencers a bit like a sculptor, in order to make the different loops cohabit. Sound research is essential and sometimes it can be time consuming. I am demanding and I pay a lot of attention to the sound grain, so that it is rich, coherent and reflects my musical vision. However, the notion of freedom remains paramount. This is how this sound will be able to evolve again and again. I won't dwell on the technical aspect, because in my opinion, it's the emotional part that prevails. It is a sincere sharing with the listeners and I believe that it is precisely this sincerity that is the main characteristic of the Sequentia Legenda sound."

Christophe Bargeault: "Your approach reminds me of Klaus Schulze, who used to explain in his interviews that he started a new album by looking for new sounds, like a to begin a new album by searching for new sounds, like a sculptor who goes to look for his raw material like a sculptor who goes looking for his raw material before working on it and giving it life. Do you share this initial phase or are the sounds and melodic ideas born first of all according to the emotions you want to create? according to the emotions you want to create?"

Sequentia Legenda: "After a certain period of time, there is a real call to the keyboards, so to speak. This is the signal. Then the phase of discovery begins, of research in every respect. It's a special moment, something unique, highly emotional too. There's no real rule, either it's a particular sound that will be a trigger, or a sequencer line that will propel me, or the atmosphere of a string section that will make me take off. It's really all about my emotional state, my sensitivity and my level of awareness and reception. Each time it is a new beginning, a thrilling creative birth."


Christophe Bargeault: "Speaking of Klaus Schulze, you paid tribute to him in May in the special issue of PWM Calepins. Would you say that, without him, your musical path would have been different?"

Sequentia Legenda: "I would like to say that without him my musical journey would not have been possible. In my eyes, chance doesn't really exist, I prefer to talk about synchronicities. It was in my parents' vinyl collection that I discovered a cover that literally attracted me – like a magnet – that of the album MIRAGE, illustrated with a stylised portrait of Klaus Schulze. It was literally explosive for me, for my ears, for my whole body! From the very first time I listened to it, something happened to me that was to become my musical trigger! Thank you mother, because it was she who, after a concert of Klaus in Mulhouse, had bought Mirage, this fantastic album. A cover, a piece of music, an artist and my life was turned upside down."

Christophe Bargeault: "Just as with Mirage, the cover is often the first contact with an album, an artist, or a artist. Your choice of covers is always careful. They are always evocative of the feeling the feeling that accompanies each of your albums."

Sequentia Legenda: "Indeed, in my eyes, the cover is important and I attach a lot of time and care to it. For me, music and image are one and the same."

Christophe Bargeault: "You show gratitude and in return your audience always responds to every new song or album you release. new song or album you release. Your previous releases have even been nominated for at the Schallwelle Awards, which is a great reward."

Sequentia Legenda: "I must admit that I am always delighted by the public's reception of a new album. It's pure happiness, a balm to the heart. As far as the nominations for the Schallwelle Awards are concerned, it is always a great joy to be able to go there and actively participate in this beautiful musical and family celebration. The Schallwelle Awards is ultimately a big family of musicians and listeners who get together to vibrate in communion. Indeed, it is a beautiful reward. I would like to take this opportunity to pay tribute to Sylvia Sommerfeld, who was instrumental in creating the Schallwelle Award and who unfortunately passed away at the end of 2021. I had the pleasure of being welcomed by Sylvia, with the great kindness that characterised her. Overall, I must say that the welcome and the fervour shown towards my music touched me a lot, it is a beautiful reward, a beautiful adventure. The Berlin School "made in France" defends itself rather well I think. But I admit that it's still very complicated to win an award in Germany against German musicians and bands... But I'm already happy to be able to appear at the Schallwelle in the land of the Berliner Schule and who knows, maybe one day Sequentia Legenda will be among the first three."

Christophe Bargeault: "In this musical universe in perpetual resonance, are there any artists that you follow you follow?"

Sequentia Legenda: "I admit that I certainly don't listen enough to what other artists are doing now. I still stick to the classics. Without wanting to make excuses, it is perhaps also due to a lack of time. Between my two sons, my professional activity, the solo management of daily tasks and the management of everything revolving around my music, there is not much time left. I mainly listen to Klaus Schulze, sometimes also to Tangerine Dream and from time to time to some current musicians like Kurz Mindfields, Michael Brückner or Awenson to name a few. I also like to listen to classical music and jazz. Compared to electronic music and the Berlin School in particular, the Berlin School "made in France" brings an additional nuance to this movement. For me, music is a sign of Hope, Freedom and Love. I am certain that the Berlin School will remain a music that is conducive to dreams. Of course, it is a musical niche, but it is for this movement that my heart beats and as long as I still have something to express, to share, it alone will be my refuge."

Christophe Bargeault: "The final word."

Sequentia Legenda: "It was a great pleasure for me to take part in this interview, thanks to you Christophe for this initiative and to Patch Work Music. I hope that the listeners and readers will take as much pleasure in reading it."

Trailer of the next musical opus of Sequentia Legenda :
The 432 Hz Berlin School Box

The 432 Hz Berlin School Box by Sequentia Legenda
ULTIMATE EDITION REVISITED BY SEQUENTIA LEGENDA

This double album contains 5 tracks from my discography, revisited and tuned to the 432 Hz. This project has been maturing since the beginning of this year, it is in September that it really took shape, to finally become a real challenge in November following the death of my Mom. I really wanted to put my compositions in unison with this warm and natural frequency, favourable to introspection, escape and elevation. It is part of my musical vision, that of a deep and harmonious sharing with the public.

For this project, I had the pleasure to be able to count on a collaboration from Switzerland in the person of Nicolas Picciotto who took care of remixing and remastering two of my compositions.

The 432 Hz Berlin School Box : A Heart to Heart Sharing

Official release on 17 December 2022.